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Grave Of The Fireflies Episode 1 PORTABLE

Seita and Setsuko leave their aunt's home after excessive insults, and they move into an abandoned bomb shelter. They release fireflies into the shelter for light. The next day, Setsuko is horrified to find that the insects have died. She buries them in a grave, asking why they and her mother had to die. As they run out of rice, Seita steals from farmers and loots homes during air raids, for which he is beaten and sent to the police by a farmer. The officer realizes Seita is stealing due to hunger and releases him. When Setsuko falls ill, a doctor explains that she is suffering from malnutrition. Desperate, Seita withdraws the last of the money in their mother's bank account. After doing so, he becomes distraught when he learns that Japan has surrendered, and that his father, an Imperial Japanese Navy captain, is most likely dead, as most of Japan's navy has been sunk. Seita returns to Setsuko with food, but finds her dying. She later dies as Seita finishes preparing the food. Seita cremates Setsuko's body and her stuffed doll in a straw casket. He carries her ashes in the candy tin along with his father's photograph.

Grave of the Fireflies Episode 1

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That September, Seita dies of starvation at a Sannomiya train station surrounded by other malnourished people, as shown in medias res. A janitor is tasked with removing the bodies before the arrival of the Americans. The janitor sorts through Seita's possessions and finds the candy tin, which he throws into a field. Setsuko's ashes spread out, and her spirit springs from the tin and is joined by Seita's spirit and a cloud of fireflies. They board a ghostly train and, throughout the journey, look back at the events leading to Seita's death. Their spirits later arrive at their destination, healthy and happy. Surrounded by fireflies, they rest on a hilltop bench overlooking present-day Kobe.

The fireflies in the film are portrayed as symbols of various themes such as the spirits of the lost children, the fires that burned the towns, Japanese soldiers, the machinery of war, and the regeneration of life through nature.[35]Okypo Moon states in her essay "Marketing Nature in Rural Japan", that hundreds of fireflies were caught nightly in the 1920s and 1930s. In the 1960s and 1970s, there was a shift to reinstate this tradition and "there are now eighty five 'firefly villages' (hotaru no sato) registered at the Ministry of the Environment in Japan. [36] The movie uses fireflies to visually represent both deadly and beautiful imagery, such as fire-bombs and kamikazes. [35] Takahata chooses to use the kanji "fire" instead of the normal character for the word firefly in the title, which has been interpreted to represent the widespread burning of wooden houses in Japan. Critic Dennis H. Fukushima, Jr. believes that this modification of the title is to emphasize parallels between beauty and devastation, citing the relationship between fireflies, M-69 incendiary bombs, naval vessels, city lights, and human spirits. [35][37]

On 25 December 2016, Toei Company made a Twitter post that read "Why did Kiriya have to die so soon?" (なんできりやすぐ死んでしまうん, Nande Kiriya sugu shinde shimaun?) in order to promote an episode of Kamen Rider Ex-Aid. The hashtag became popular, but Toei deleted the tweet after receiving complaints that referencing the Grave of the Fireflies line "Why do fireflies die so soon?" (なんで蛍すぐ死んでしまうん, Nande hotaru sugu shinde shimaun) was in poor taste.[61] Before that, the ranking website Goo's readers voted the film's ending the number 1 most miserable of all anime films.[62]

Well-known film director and critic Haruo Mizuno reviewed the Grave of Fireflies during his popular TV series. He praised the film for the honorary image of the soldiers of Japan through the depiction of the fireflies, and the moving depiction of a heartbreaking experience many people of Japan had lived through. [64]

For the longest time I knew I wanted to cover Grave of the Fireflies. This is a movie that needs to be talked about, but I've put it off so many times. Honestly, this is a movie burned into my brain, and one that always makes me sob uncontrollably every single time. This is why it's a slightly shorter-than-normal Nanorama episode. The shorter episode is not a comment on the quality of this movie. In fact, in the Verbal Diorama mantra of "animation is not a genre" rings true for this movie more than any other.

Under normal circumstances, the death of a kid would be enough to make anyone cry, but Grave of the Fireflies takes this moment much further. Setsuko rises from the grass outside the station surrounded by a swarm of fireflies. Seita appears behind her, and we realize that they are together again in the afterlife.

Eventually, Seita and Setsuko run off on their own and wind up living in a small shelter next to a river. They take their remaining possessions and try to make a home out of their environment. In an attempt to make his sister happy, Seita helps Setsuko catch an entire box of fireflies. This leads to one of the most heartwarming and heartbreaking moments in the movie.

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Later that night, a janitor comes and digs through his things; finding a candy tin that contains Setsuko's ashes. He throws it out, and from there springs the spirits of Setsuko, Seita and a group of fireflies. The implication is that their spirits now haunt the station and that they will now provide the narrative throughout the story.

In the evening, the two children collect a good quantity of fireflies which they release in the cabin. The light of the fireflies reminds Seita of fireworks, during the naval review after which her father went to war. And the lights to become DCA tracer bullets, destroying enemy bombers.

The next day, Seita finds her sister digging a hole in the ground. Puzzled, he asks her the reason for this behavior. Innocently, Setsuko replies that she is digging a grave for the fireflies, her aunt having explained to her that this had been done for her mother. Overwhelmed by this gesture, remembering the unbearable images of her mother's body thrown into a pit, Seita can no longer contain herself and cries bitterly. He promises Setsuko that they will one day visit their mother's grave.

After watching over her sister's lifeless body, Seita decides to cremate her little sister himself. He uses supplies donated to him by a farmer and places Setsuko in a large wicker basket and sets it on fire, while the fireflies fly around to the sky. He then leaves her ashes in the fruit tin, which he carries with his father's photograph, until his death from malnutrition in Sannomiya Station a few weeks later.

It is now present day. Setsuko runs up towards Seita. Both ended up in death. With her head on her brother's lap, she falls asleep peacefully, as a few fireflies fly through the air. Seita looks at the viewer, then turns his head towards the lights of the skyscrapers of a modern city.

"I couldn't take the place of my mother and father for the death of my one-year-and-four-month-old sister, and (the novel) was the least I could do for my sister, who had nothing more than fireflies in her mosquito net to distract her... In middle of the night, against the night wind, I would wash the lice from my sister's skin with bottled water taken from the sea... I wish I had at least petted my sister as much as Seita did in the novel... I wasn't that kind."[5]

Japanese nouns do not change to form plurals, so hotaru can refer to one firefly or many. Seita and Setsuko catch fireflies and use them to illuminate the bomb shelter in which they live. The next day, Setsuko digs a grave for all of the dead insects, and asks "Why do fireflies die so soon?", so the title might serve to heighten the symbolic and thematic significance of the incident.

In the Japanese title of the movie the word hotaru (firefly) is written not with its usual kanji 蛍 but with the two kanji 火 (hi, fire) and 垂 (tareru, to dangle down, as a droplet of water about to fall from a leaf). This can evoke images of fireflies as droplets of fire. Some consider that this evokes senkō hanabi, a fire droplet firework (a sparkler firework which is held upside down). This is particularly poignant in this respect because it must be held very still or the fire will drop and die, which represents the fragility of life. Senkō hanabi also evoke images of family, because it is a summer tradition in Japan for families to enjoy fireworks together. Fireworks, in general, are considered to be another symbol of the ephemerality of life. Watching fireflies is another summer family tradition. Together, the references evoke the bond between Seita and Setsuko, but at the same time emphasize their isolation due to the absence of their parents.

Alternatively, pairing the two kanji for "fire" and "dangle down" may also be a metaphor for the experience of aerial bombing using incendiary weapons. Anecdotal evidence suggests that the Japanese during the war sometimes referred to falling and exploding incendiary bomblets as "fireflies." 041b061a72


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